By Thomas J. Mathiesen
Historical Greek track and tune idea has involved students for hundreds of years not just as a result of its intrinsic curiosity as part of historical Greek tradition but additionally as the Greeks’ grand idea of tune has persisted to stimulate musical imaginations to the current day. not like previous remedies of the topic, Apollo’s Lyre is aimed mostly on the reader drawn to the musical typologies, the musical tools, and particularly the old improvement of tune thought and its transmission in the course of the center Ages.
The uncomplicated approach and scope of the research are set out in a initial bankruptcy, by way of chapters focusing on the function of song in Greek society, musical typology, organology, and function perform. the subsequent chapters are dedicated to the song thought itself, because it constructed in 3 levels: within the treatises of Aristoxenus and the Sectio canonis through the interval of revival within the moment century C.E. and in overdue antiquity. each one theorist and treatise is taken into account individually yet regularly in the context of the rising traditions. the idea offers a remarkably whole and coherent method for explaining and reading musical phenomena, and loads of its conceptual framework, in addition to a lot of its terminology, used to be borrowed and tailored via medieval Latin, Byzantine, and Arabic track theorists, a legacy reviewed within the ultimate bankruptcy. Transcriptions and analyses of a few of the extra whole items of Greek track preserved on papyrus or stone, or in manuscript, are built-in with a attention of the musicopoetic forms themselves. The e-book concludes with a entire bibliography for the sphere, updating and increasing the author’s prior Bibliography of resources for the learn of historic Greek track.
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Extra resources for Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages
The theory proved controversial and generated a wave of new thinking and writing in a field that had been moving along relatively unchallenged. After that, Beardsley's writings in the arts were characterized by thoughtful attention to the arguments of his critics, as he continued to refine the ideas set forth in Aesthetics. Other Beardsley essays relevant to this discussion include: 1. ''On the Creation of Art," published in Aesthetic Inquiry: Essays on Art Criticism and the Philosophy of Art (1967), edited by Monroe C.
S. Moore title : On the Nature of Musical Experience author : Reimer, Bennett. publisher : University Press of Colorado isbn10 | asin : 0870812483 print isbn13 : 9780870812484 ebook isbn13 : 9780585004006 language : English subject Music--Philosophy and aesthetics, Music--Instruction and study--Research. 1 subject : Music--Philosophy and aesthetics, Music--Instruction and study--Research. O. Box 849 Niwot, Colorado 80544 All rights reserved. 10 9 8 7 6 5 4 3 2 The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State College, Colorado State University, Fort Lewis College, Mesa State College, Metropolitan State College of Denver, University of Colorado, University of Northern Colorado, University of Southern Colorado, and Western State College.
Ann Stokes contributed valuable text material in addition to her author chapter. The support of the Northwestern University School of Music administration, for this book and for all the other activities of the Center for the Study of Education and the Musical Experience, is heartily acknowledged. Bennett Reimer and Jeffrey E. Wright Page 1 PART I SELECTED AUTHORS ON MUSICAL EXPERIENCE Page 3 MONROE C. BEARDSLEY (19151985) SOURCES Monroe Curtis Beardsley taught philosophy at Yale University, Mount Holyoke College, Swarthmore College, and Temple University.